Audrey Watters’ Amazing Piece: AI Grief Observed

Click here and read this gut-wrenching, inciteful and devastating piece on AI’s impact on education and beyond, by the transcendent Audrey Watters.

Here is a snippet from the end of the piece. But please, don’t read it here, click into the full piece. Slow down. Read every word. If you are not in education, just think about it in your domain. I sure think about it as a person who deeply values community. My take away from Audrey is to pay attention to what gives rise to AI, not AI itself. Read it, please.

We grieve because we love. We grieve because we care. We grieve because we know that the machines do not, and that the community we try to foster — on campus, in the classroom, in our scholarly works — is threatened with erasure. We grieve because we fear forgetting; we worry that people will forget what is beautiful and what is difficult and what is joyous and what is horrible about education. We worry that, if we do not grieve, we give up the struggle to go on, to persevere, to live.

But we do not, we should not grieve alone. We should not be made to feel alone, feel crazed by our grief, feel crazed for grieving. We can, we should grieve together, grieve in public, grieve in protest. Such is comfort – “com” + “fort,” a word that means “with” + “strength.”

Technologies are often wielded in ways meant to imply that humans are weak, messy, slow, stupid, replaceable.

We are strong, messy, awkward, flawed, irreplaceable. All of us.

Our strength comes, in part, from this vulnerability, from our humanity. Together in the flesh. Not isolated, individualized thru some algorithm. We cannot allow systems and practices and machinery to foreclose this humanity, to automate the decisions, the expressions, the explorations that we turn to and that we struggle with in education, in this imperfect but liminal space of learning.

“There is no good way to say this” but to say this: AI is the antithesis of education. It is the antithesis of the future. As such, it is a kind of epistemological death, and I recognize — thanks to capitalism and neoliberalism and imperialism and racism — we have long been surrounded by such efforts; we are grieving already. And yet, we go on.

One final note that I think I’d be remiss not to state, even though there is no good way, or rather no polite way to say this:

Some men (and I do mean mostly men) would rather spend trillions of dollars on an idea that is financially, technologically, morally, and environmentally unsustainable, they’d rather destroy democracy and destroy education and destroy the planet than just get therapy.

I am a noodle

Here is one rescued from the draft archives when I was poking around today.

A great blog post by Keith Hamon exploring the idea of rhizomatic learning, but here is the quote that knocked my socks off when I drafted this post. A metaphor that stuck.

Think of a plate of spaghetti. Keith Hamon is one noodle strand intertwined and thoroughly embedded in the mass of noodles, and my sense of myself or your sense of me as a discrete entity totally depends upon where along the noodle strand you or I happen to be focusing and what other noodles intersect me there.

via Communications & Society: #change11 Defining the Rhizome.

Exploring Other Ways of Knowing

Last summer I was reading multiple books at the same time. (Well, you know, I don’t actually read them simultaneously!) Notably, two non fiction, which is not my common summer practice. Two standouts were Braiding Sweetgrass by Robin Wall Kimmerer and Everybody Come Alive by Marcie Alvis Walker. Serendipity in action. The writing of these two amazing women both brought, and continue to bring, me a deep, embodied sense of other ways of knowing. The ways different than the ones I use in my life, mostly without awareness. These books helped me to begin to notice the limitations of my own views and stances. And the importance of querying myself to understand where I’m coming from as a stepping stone to being open to others’.

This week another piece of writing, this time from Bayo Akomolafe came across my screen and this sense, this idea of our separateness and togetherness, of what we do or do not identify with and how we presume power over it or not jumped out again. He was asked to provide an alternative definition of nature than the Oxford English Dictionary and he wrote:

So, I offered this:

‘A theoretical, economic, political, and theological designation from the Enlightenment era that attempts to name the material world of trees, ecologies, animals, and general features and products of earth as separate from humans and human society, largely in a bid to position humans as masters over material forces, independent and capable of transforming the world for their exclusive ends.’ 

It’s as far as I could go without waxing poetic about nature as a colonial trope for biopolitical interventions. What felt important to say was that ‘nature’ is a performative, speculative gesture, a ritual of relations that rehearses a dissociation from the world. A subjectivizing force. A lounge in the terminal of the radioactive Human.

Now to notice how I am “performing…”

What Nancy is Doing These Days

Two buckets of greens (turnips and kale, to be specific) from the garden and a glimpse of a pair of feet in green garden clogs.

When people ask what I’m up to work-wise, I vaguely mention my “rewirement.” I’ve been in the process of redesigning my “working” life into a more consciously designed life flow. In other words, I’m doing less “paid work,” and devoting more time, attention and prioritization of family, my own learning, playing my guitar and spending time in my garden.

What does this mean if you want to hire me? I’m only taking on 1-2 clients at a time. I’m done juggling many work balls, now reveling in a more spacious life. And I have three criteria for saying “yes.”

  • 1. Work that matters in the world. Is your project trying to solve for a community? The world? Does your work echo beyond an event or project? I’m interested.
  • 2. Great people. I’m deeply attached to who I am working with. This is a relationship, not a transaction. We are in it together long enough to supports relating to each other as people?
  • 3. Everyone’s learning edge. I’ll refer you to wonderful folks to provide you a known service. I’m interested in the edge where we all learning. Together. Further, we are committed to sharing that learning.

If you and your work resonate with this, let’s talk.

Beck Tench and Zen of Zooming

I was so, so, so sure I had blogged about this wonderful online practice shared in 2020 by the amazing Beck Tench. But when I went to find it to reshare, I could not find it in my archives. So today I am getting this on the blog!

On Zoom we have all these little windows into others’ faces (if their camera is on). It is oddly a great place to do portrait sketching as a way to see, to pay attention, to shift out of monkey-mind. Beck pulled this practice from her reading of Frederick Franck’s The Zen of Seeing: Seeing/Drawing as meditation.

Go to Beck’s post and read how to do it. https://www.becktench.com/blog/2020/7/26/the-zen-of-zooming

Then if you get to try it with others, I’d love to hear your impressions.

I found it really helpful to get out of my “solve the problem now” habits. To really look at another which I’m not sure we do as well online as we might F2F. When we HAVE shared our sketches with each other in all their glorious imperfections (you sketch WITHOUT looking at the sketch) we laugh, we wonder, even blush. It is a very human moment for me.

I’ll put some of my sketches below.